| Team will present an exhibition of new
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| | successful prosecution of the three.
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| work by Banks Violette from the 28th of
| |
| | During that lengthy period, the three
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| June through the 16th of August 2002.
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| | boys returned repeatedly to the grove and
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| Entitled Arroyo Grande 7.22.95, the show
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| | a consistent assumption in the press
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| is made up of four pieces: two paintings
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| | coverage was that the boys had "ritually"
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| and two sculptures.
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| | abused the corpse.
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| A consummate craftsman equally proficient
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| | The work produced for this show attempts
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| at painting and sculpture, Violette is a
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| | to realize, within the space of the
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| present day history painter rendering the
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| | gallery, the central argument of the
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| social landscape in which we live and the
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| | prosecution: that a fiction can become
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| way the signs of our times breed and
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| | the space or the engine for the
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| contain stories of violence.Violette here
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| | production of trauma. Playing off the
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| explores a recent horrific case with both
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| | divided space of the gallery's
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| passionate obsession and clinical
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| | architecture, this exhibition is divided
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| detachment.
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| | into two explorations. The first is a
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| On July 22nd, 1995, three teenaged boys
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| | reconstruction of the crime scene itself:
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| dragged a classmate, 15 year old Elyse
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| | the grove that held Elyse for eight
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| Marie Pahler into a eucalyptus grove in
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| | months
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| Arroyo Grande, California. The three
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| | Gallery hours for this exhibition are as
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| members of an aspiring heavy metal band
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| | follows: Tuesday through Saturday, 10am
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| named "Hatred", wrapped a belt around
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| | to 6pm through 03 July. Monday through
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| Pahler's neck and stabbed her twelve
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| | Friday, 10am to 6pm from 08 July through
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| times, leaving her body propped on a log
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| | 16 August. The gallery will be closed on
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| in the center of the grove. For eight
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| | the 4th, 5th, 6th and 7th of July. For
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| months, Pahler's body lay there until
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| | further information and/or photographs at
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| guilt and paranoia drove Casey to confess
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| | the Saatchi-Gallery.
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| to the crime, leading to the arrest and
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| |
|
